Hi Guys,
I wanted to get your feedback on the following song we just released.
http://ift.tt/1NSvK2Q
So I can go through the tools I used, and stuff. The idea is to know where I could/should improve in/on the next track.
TRACKING always to Symphony IO. (Signal always light. Aiming for -10db peaks with -18 or so average rms)
Vox chain: Rode Classic II (position between omni and cardioid) > Vintech 273 (slight high boost, and low-cut) > Kenetek 1176 (ratio: 8, medium attack and release) > Buzz Audio SOC 20 (doont remember settings but I think auto release, and more subtle but even gain reduction)
Vox Approach (Various single takes- Helped the feeling emotion of the song, super small distance to mic for intimacy)
Clean Guitars: PRS NF3 > Evans RE300 Amp.
Clean Guitars Chain: Senn e906 & Royer 121 > Buzz Audio QSP20 > (Kenetek 1176/FMR PBC6A) > Buzz Audio SOC 20
Bass Chain: ESP 6string bass > 1.JDI (reamping with behringer bdi21) & 2. Kemper Profiling Amp Ampeg SVT profile (We now have a warwick which OMG)
Drums Chain: Roland TD30KV triggering BFD3 (DW Kit I believe). The drums are of course played by a real drummer, live. I used to use Superior Drummer before, but I am liking BFD. They sound very raw, and uncompressed, which lets me manipulate them the way I would had I used acoustic drums.
HiGain Guitars: Kemper Profiling Profile of my Nitro (e906, and royer 121 through buzz audio QSP20). Also DI Signal (through radial JDI) to use Peavey Revalver for some 6505 on one side. And Kemper Profile of a Diezel VH4 for additional track near the outro. The Kemper and JDI Signal goes directly to converters.
MIXING (100% digital. I like my mixing digital. I've tried using my hardware again, but it just becomes a bit much):
Slate VCC: One just about every channel.
VOX: Bused and detuned copies on the sides, and slightly distorted center voice for wide focus. Slate VTM to add smooth sheen,
BASS: Large whole made in the middle where it made no audible difference to the bass in mix, but added clarity to other instruments. Some Waves RBASS used to add more sub, as well as some decapitator.
CLEAN Guitars. Heavy reverb to place these a bitback, and lots of automated panning.
I wanted to get your feedback on the following song we just released.
http://ift.tt/1NSvK2Q
So I can go through the tools I used, and stuff. The idea is to know where I could/should improve in/on the next track.
TRACKING always to Symphony IO. (Signal always light. Aiming for -10db peaks with -18 or so average rms)
Vox chain: Rode Classic II (position between omni and cardioid) > Vintech 273 (slight high boost, and low-cut) > Kenetek 1176 (ratio: 8, medium attack and release) > Buzz Audio SOC 20 (doont remember settings but I think auto release, and more subtle but even gain reduction)
Vox Approach (Various single takes- Helped the feeling emotion of the song, super small distance to mic for intimacy)
Clean Guitars: PRS NF3 > Evans RE300 Amp.
Clean Guitars Chain: Senn e906 & Royer 121 > Buzz Audio QSP20 > (Kenetek 1176/FMR PBC6A) > Buzz Audio SOC 20
Bass Chain: ESP 6string bass > 1.JDI (reamping with behringer bdi21) & 2. Kemper Profiling Amp Ampeg SVT profile (We now have a warwick which OMG)
Drums Chain: Roland TD30KV triggering BFD3 (DW Kit I believe). The drums are of course played by a real drummer, live. I used to use Superior Drummer before, but I am liking BFD. They sound very raw, and uncompressed, which lets me manipulate them the way I would had I used acoustic drums.
HiGain Guitars: Kemper Profiling Profile of my Nitro (e906, and royer 121 through buzz audio QSP20). Also DI Signal (through radial JDI) to use Peavey Revalver for some 6505 on one side. And Kemper Profile of a Diezel VH4 for additional track near the outro. The Kemper and JDI Signal goes directly to converters.
MIXING (100% digital. I like my mixing digital. I've tried using my hardware again, but it just becomes a bit much):
Slate VCC: One just about every channel.
VOX: Bused and detuned copies on the sides, and slightly distorted center voice for wide focus. Slate VTM to add smooth sheen,
BASS: Large whole made in the middle where it made no audible difference to the bass in mix, but added clarity to other instruments. Some Waves RBASS used to add more sub, as well as some decapitator.
CLEAN Guitars. Heavy reverb to place these a bitback, and lots of automated panning.
Rock song tracked analog, mixed digital. Just finished it
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