Just wondering if anyone is using KM130 or KM183 as a main pair for classical. It seems like flat and neutral mics have more use today.
Sometimes I find a lack of top end when using flat mics at a distance. EQ helps, but not always. I have never used mics with a rise in the highs (specially 7dB) but now I want to try.
Any experience here? I am sure. How do you compare working with diffuse and free field omnis in practise? I mean mostly Neumanns. Does such a big rise help or make troubles? Also, do you like that Neumann shimmer or prefer neutrality of DPA?
Sometimes I find a lack of top end when using flat mics at a distance. EQ helps, but not always. I have never used mics with a rise in the highs (specially 7dB) but now I want to try.
Any experience here? I am sure. How do you compare working with diffuse and free field omnis in practise? I mean mostly Neumanns. Does such a big rise help or make troubles? Also, do you like that Neumann shimmer or prefer neutrality of DPA?
Any love for Neumann KM 130/183?
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