Hello,
maybe this topic was discussed in different posts and threads!
I have sent a PM to Remoteness in order to ask him a valuable opionion in order to obtain a good sound piano & double bass without bad bleeding due to the drums for ex. (talkin about jazz recordings)!
Yes, I think we know all that we have to convive with bleed, the main problem is, how to obtain that good bleed :)
Thanks to anyone who wanna share their opinions and "tricks" and, obviously, thanks to Remoteness who has no problem to share his know-how without greed!
L.
maybe this topic was discussed in different posts and threads!
I have sent a PM to Remoteness in order to ask him a valuable opionion in order to obtain a good sound piano & double bass without bad bleeding due to the drums for ex. (talkin about jazz recordings)!
Yes, I think we know all that we have to convive with bleed, the main problem is, how to obtain that good bleed :)
Quote:
Originally Posted by Remoteness To tell you the truth, it's all about the "ear." And, how you place the mics, speakers and instruments on the stage. There is no short answer to this, but there was, it's about preserving the "good" leakage. I place more inputs on the double bass than the drums at times. I want options in the mix. |
Thanks to anyone who wanna share their opinions and "tricks" and, obviously, thanks to Remoteness who has no problem to share his know-how without greed!
L.
miking piano and double bass with less bleed from drums
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